Saturday, 1 December 2018

Bairat

Bairat or ancient Viratnagar, is said to have been founded by king Virat, in whose kingdom the five Pandavas spent the thirteenth year of exile in disguise.  Viratnagar was the capital of the ancient Mahajanapada of Machcha or Matsya, and was later part of the Mauryan Empire.



The place is well-known for two Asokan inscriptions and important ancient Buddhist relics found here. Excavations carried out on the different terraces of this hill known as Bijak-ki-Pahari (Inscription Hill) have yielded remains of a Mauryan circular stupa-shrine (chaityagriha/cetiyagaha) made of lime-plastered panels of brickwork alternating with twenty-six octagonal pillars of wood, preceded by monastic remains with a double row of cells arranged around an open square courtyard. It is supposed to be the earliest shrine in India excavated so far. The western or the upper platform is 30 feet higher than the eastern or the lower one. On all four sides there are ruins of brick walls which once formed the chambers of the resident monks of this large monastery.






The earliest historical record of Bairat is that of Chinese pilgrim Xuanzang in 634 AD. According to him the capital of the kingdom of Po-li-ye-to-lo (Paryatra), was situated at 500 li to the west of Mathura and 800 li to the south-west of the kingdom of She-to-tu-lo (Shatadru). The capital was 14 or 15 li in circuit. The people were brave and bold, and their king, who was of the race of Fei-she, was famous for his courage and skill in war. The place still possessed eight Buddhist monasteries (sangharamas), but they were much ruined, and the number of monks was small who studied the Little Vehicle. The Brahmans of different sects, about 1000 in number, possessed ten temples, but their followers were numerous, as the bulk of population was described as heretical.



प्रियदसि लाजा मागधे संघं अभिवादेतूनं आहा अपाबाधतं च फासु विहालतं चा. (1)
विदिते वे भंते आवतके हमा बुधसि धंमसि संघसी ति गालवे चं प्रसादे च.
ए केचि भंते (2) भगवता बुधेन भासिते सर्वे से सुभासिते वा.
ए चु खो भंते हमियाये दिसेया हेवं सधंमे (3) चिलठितीके होसती ति अलहामि हकं तं वातवे.
इमानि भंते धंमपलियायानि विनयसमुकसे (4) अलियवसाणि अनागतभयानि मुनिगाथा मोनेयसूते उपतिसपसिने इ चा लाघुलो- (5) -वादे मुसावादं अधिगिच्य भगवता बुधेन भासिते एतानि भंते धंमपलियायानि इछामि (6) किंति बहुके भिखुपाये चा भिखुनिये चा अभिखिनं सुनेयु चा उपधालयेयू चा. (7)
हेवंमेवा उपासका चा उपासिका चा.
एतेनि भंते इमं लिखापयामि अभिप्रेतं मे जानंतू ति. (8)
 
The Magadha King Priyadasi, having saluted the Sangha, hopes they are both well and comfortable.
(lit. pronounce both being in good health and being of pleasant life)
It is known to you, Sirs, how great is my reverence and faith in the Buddha, the Dhamma, the Sangha.
Whatsoever, Sirs, has been spoken by the blessed Buddha, all that is quite well spoken.
But, Sirs, what would indeed appear to me, "thus the true Dhamma will be of long duration", that I feel bound to declare.
(diseya is optative of dissati)
The following expositions of the Dhamma, Sirs, Vinaya-samukasa, Aliyavasas, Anagata-bhayas, Munigathas, Moneyasuta, Upatisa-pasina, and Laghulovada which was spoken by the Blessed Buddha concerning falsehood,-- I desire, Sirs, that many groups of monks and nunsmay repeatedly listen to these expositions of the Dhamma, and may reflect.
(Vinaya-samukasa - Buddha's first sermon; Aliyavasas and Anagata-bhayas are in Anguttara Nikaya; Munigathas, Moneyasuta and Upatisa-pasina are in Sutta-nipata; Laghulovada is in Majjhima-nikaya)
In the same way both laymen and laywomen.
For the following, Sirs, am I causing this to be written, in order that they may know my intention.





Ramnagar Fort

Old Palace - Built by Raja Suchet Singh, the Purana Mahal consists of a complex of rooms rising to three storeys having high walls with watchtowers at regular intervals. The walls of the rooms are decorated with stucco work and painted with floral designs. The wooden members of the ceiling are also profusely decorated. The corners of the roofs have projections in the shape of lotus flowers.

New Palace - It was built by Raja Ram Singh, son of Raja Ranbir Singh. The complex has opened courtyards surrounded by rooms with two entrances facing each other in opposite wings. The outer walls are high and are duly supported by buttresses. The rooms have false wooden ceiling and the interior walls are decorated with floral designs.



Sheesh Mahal - Built during the reign of Raja Ram Singh, it comprises two forecourts having burjis at the corners. Behind these are the halls and the rooms flanked on the either side of the central passage. To the right of the entrance is Diwan-e-am with the rooms at its back. To the left of the entrance are Darbar Hall, Sheesh Mahal and Rang Mahal respectively. All the rooms have paintings and Darbar Hall has murals showing influence of Pahari school. Themes from Ramayana, Bhagawata and other Puranans, court and battle scenes connected with Raja Suchet Singh are also depicted in the paintings besides some lithographs of later period. The walls of Sheesh Mahal are decorated with mirrors and mural paintings of Nayikas, Raginis etc. Adjoining the Sheesh Mahal, walls of Rang Mahal panels depicting hunting, court scenes and Krishna-Lila scenes etc.

Fort - The ancient fort is a square on plan with polygonal bastions to support its four corners. The fortification walls and the bastions are high and rise to three storeys crowned with battlements and merlons. Around the central courtyard inside, there are cells and vaulted chambers where cannon balls are stored. There are images of Ganesha, Durga and Hanuman in the gateway. The fort is surmounted by the moat externally and access to it is gained through a narrow bridge across the moat on the southeastern side.

Samadhi of Queen of Raja Suchet Singh - The Samadhi was built by Raja Ranbir Singh on the spot where Rani performed sati after the death of Raja Suchet Singh in 1844. The structure is erected on a raised platform enclosed with ambulatory passage, the roof of which is dominal in shape. The inner walls of the samadhi are decorated with paintings. On either side of the entrance there are rooms. The façade is decorated with ornamental plaster whereas the interior of the walls of the rooms are plain.





Kabuli Bagh. Panipat

The 'original' Babri Masjid, it was built in 1527 by the emperor Babur to mark his victory over Sultan Ibrahim Lodhi at the first B...